Résumé
BORN
1948 Madison, Wisconsin
EDUCATION
1972 MFA, University of California at Davis
1970 BA, University of California at Davis
1966-68 University of California at Berkeley
SOLO EXHIBITIONS
2004 The Cue Foundation, New York
2000 Dinaburg Arts, New York
1996 Morris-Healy Gallery, New York
1992 Hirschl and Adler Modern, New York
1991 Hirschl and Adler Modern, New York
Betsy Senior Gallery, New York
1990 Davis/McClain Gallery, Houston, TX
Jorge Alberto Arte Contemporeano, Madrid, Spain
1989 Lino Silverstein Gallery, Barcelona, Spain
1987 Hirschl and Adler Modern, New York
1985 Jay Gorney Modern Art, New York
1984 Concord Contemporary Art, New York
1983 Concord Contemporary Art, New York
1981 Concord Contemporary Art, New York
SELECTED GROUP EXHIBITIONS
2007
Recent Acquisitions, Naples Museum of Art, Naples, FL
Soulful–David Storey, Carol Ann Parlatto, David Shapiro,
Amy Simon Fine Arts, Westport, CT
2006
Jane Kent, David Storey
– Paintings Drawings Prints, Hebrew Home at Riverdale, New
York
Abstract Landscapes, curated by Trevor Winkfield, Snug
Harbor Cultural Center, Staten Island, NY
2005
Fall Vernissage 2005, Dinaburg Arts, New York
Sets, Series and Suites: Contemporary Prints, curated
by Clifford Ackeley,
Boston Museum of Fine Arts
2004
Syncopated Rhythms Ensemble Improvisation, Clifford Chance,
New York,
Curated by Mary Dinaburg
New Prints 2004/Summer, The International Print Center New York, NY
2003
‘im+provisus’. Compositions in Jazz, the Sheldon
Art Galleries, Saint Louis, MO
2001
A Century of American Color Woodcuts, Hirschl and Adler Gallery,
New York
Almost Giddy-Optimism in Contemporary Abstraction, Clough-Hanson
Gallery,
Rhodes College, Memphis, TN
Group Show, Paul Morris Gallery, New York
1999
Twenty Years of the Grenfell Press, Paul Morris Gallery, New
York
23rd International Biennial of Graphic Art, Ljubljana,
Slovenia
1998
Summer Group Exhibition, Betsy Senior Gallery, New York
1998
Collectors' Gallery, McNay Art Museum, San Antonio, Texas
1996
Selected American Drawing 1945-1995, Noyes Museum, NJ
Pintores en Grabado (V Bienal Internacional de Pintura),
Banco Central, Cuenca, Ecuador Comic Inspirations, Adam
Baumgold Fine Art, New York
1995
Inaugural Exhibition, Paul Morris Gallery, New York
Into the Nineties:Prints from Tamarind Institute, organized
by the Weatherspoon Art Gallery, University of North Carolina at
Greensboro, traveling to Lehigh University Art Galleries, Herter
Art Museum, University of Massachusetts,University of New Hampshire,
University of New Mexico Art Museum
Maurice Sanchez/Print Collaborations, Montclair Art Museum,
Montclair, NJ
1994
Drawings, Arkansas Art Center, Little Rock, Arkansas
Richard Levy Gallery, Albuquerque, New Mexico
Small Paintings, Paul Morris Gallery, New York
1993
Drawings (benefit for the Foundation for Contemporary Performance),
Leo Castelli Gallery, New York
New Abstraction, Betsy Senior Contemporary Prints, New York
Group Show Graham Modern, New York
1991
A Bestiary (collaborative book with text by Brad Morrow) Paula
Cooper Gallery, New York
Drawing By, Proctor Art Center, Bard College, Annandale-on-
Hudson, New York,
curated by John Lees
1990
The Unique Prints 70's into 90's, Museum of Fine Arts, Boston,
MA
42nd Annual Purchase Exhibition, American Academy and
Institute of Arts and Letters, New York
Surface Printing in the 80's, Zimmerli Art Museum, Rutgers
Art Museum, Rutgers, New Jersey
1989
1980's Prints from the Collection of Joshua P. Smith, National
Gallery of Art, Washington, DC
Drawings, Stephen Wirtz, San Francisco, California
Five Americans, Galerie Marie-Louise Wirth, Zurich, Switzerland
Young New York, Galerie Bellarte, Helsinki and Turku,
Finland
Art of the 80's - From the Collection of Chemical Bank,
Montclair Art Museum, Montclair, NJ
Drawings, Lorence-Monk Gallery, New York
1988
The Abstract Impulse, Davis/McClain Gallery, Houston, TX
Jack Goldstein, John Obuck, David Storey, John Torreano,
Dart Gallery, Chicago, IL
Scott Hanson Gallery, New York
Works on Paper, Tibor de Nagy Gallery, New York
New Monotypes from Europe and America, Pace Graphics, New York
1987
Drawn Out, Kansas City Art Institute, Kansas City, MO
Prints, Hirschl and Adler Modern, New York
Collectors' Gallery XXI, McNay Art Museum, San Antonio,
TX
1986
Intuitive Line, Hirschl and Adler Modern, New York
Jay Gorney Modern Art, New York
The East Village, Fashion Institute of Technology, New York
Abstraction, Figure to Form, Greathouse Gallery, New York
Pictures from the Inner Mind, Palladium, New York (curated by Dan
Cameron)
1985
Print Review, Lorence-Monk Gallery, New York
Drawings, 1975-1985, Barbara Toll Fine Arts, New York
Post-Style, Wolff Gallery, New York
Charcoal Drawings 1880-1985, Janie C. Lee, Houston, YX
Jay Gorney Modern Art, New York
Getler-Saper Gallery, New York
Drawings, Lorence-Monk Gallery, New York
1984
Drawings, Barbara Toll Fine Arts, New York
Relative Meaning, The Figure in Context, Hallwalls, Buffalo,
New York
1983
The New Biomorphism and Automatism, Hamilton Gallery, New York
Getler-Pall Gallery, New York
1982
Concord Contemporary Art, New York
Drawings by Painters, Long Beach Museum of Art, Long Beach,
California
curated by Richard Armstrong
1980
Zolla-Lieberman Gallery, Chicago, Illinois
San Francisco Art Institute, San Francisco, California
1979
New Visions: New Talent, Zolla-Lieberman Gallery, Chicago, IL
Richmond Art Center, Richmond, California
1978
Introductions, Hansen Fuller Gallery, San Francisco, CA
MUSEUM COLLECTIONS
Albuquerque Art Museum, Albuquerque, New Mexico
Helsinki City Art Museum, Helsinki, Finland
Museum of Modern Art, New York
Museum of Fine Arts, Boston, Massachusetts
Baltimore Museum of Art, Baltimore, Maryland
Fogg Art Museum, Harvard University, Cambridge, Massachusetts
Arkansas Art Center, Little Rock, Arkansas
New York Public Library Print Collection, New York
Whitney Museum of American Art, New York
Metropolitan Museum, New York
MIT, Cambridge, MA
Block Museum of Art, Northwestern University, Chicago, IL
SELECTED PUBLIC COLLECTIONS
Amerada Hess, Houston, TX
American Express, New York, NY
Microsoft Corporation, Redmond, WA
Chase Manhattan Bank, New York, NY
Chemical Bank, New York, NY
Teacher’s Insurance Annuity Association, New York, NY
U.S. Department of State, Washington, DC
Union Bank of Switzerland, New York, NY
Morgan Guaranty Trust Company, New York, NY
Robertson Stephens & Company, San Francisco, CA
Chadbourne & Parke, New York, NY
Walt Disney World Company, Orlando, FL
JP Morgan, New York, NY
Nomura Securities, New York, NY
IBM Corporation, Armonk, NY
Marion Koogler McNay Museum, San Antonio, TX
Rutgers Archive for Printmaking, Rutgers University, New Brunswick, NJ
The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick,
NJ
Barneys, New York
Nieman Marcus, Dallas, TX
Saks Fifth Avenue, New York
General Mills, Minneapolis, MN
COMMISSIONS
Barneys, New York
10 Wall Street, New York
Saks Fifth Avenue, New York, NY
AWARDS AND GRANTS
2006 Phillip Guston and Musa McKim Endowed Residency, Yaddo, Saratoga
Springs, NY
1999- present Elizabeth Foundation for the Arts Studio Program, New York
2003 Yaddo Residency Fellowship, Saratoga Springs, NY
1999 Yaddo Residency Fellowship, Saratoga Springs, NY
1997 Milton and Sally Avery Endowed Residency, Yaddo, Saratoga Springs,
New York
1993 The Elizabeth Foundation for the Arts Artists’ Grant
1991 National Endowment for the Arts, Artist’s Fellowship Grant
1989 New York State Foundation for the Arts, Artist’s Fellowship
Grant
PUBLICATIONS
Tampa Review 18, Spring-Summer 1999
Bestiary, a bound book containing 36 prints by 18 artists with
text by Brad Morrow,
edition of 100, 1990
o-bleck, portfolio of drawings, Volume 5, Spring, 1989
Paris Review, Volume 107, Summer, 1988
Conjunctions, Volume 8, Autumn, 1985
A Beehive Arranged on Humane Principles, text by Gilbert
Sorrentino, published by the Grenfell Press
BIBLIOGRAPHY
Mattick, Paul David Storey at the Cue Foundation, review, Art
In America, November, 2004
Gelber, Eric, DAVID STOREY, artcritical.com, February, 2004
Tamarind: 40 Years, edited by Marjorie Devon, University of New Mexico
Press 2000
Review, Art On Paper, March-April 2000
Review: 20 Years of the Grenfell Press, New York Times, July 30,
1999
Milani, Joanne, The Tampa Tribune: BayLife, November 16, 1998
Tallman, Susan, Contemporary Prints, Pre-Pop to Post Modern, Thames & Hudson
1996
Stavitsky, Gail, Maurice Sanchez: Collaborations, Montclair Art
Museum, Montclair, NJ
Liebmann, Lisa, ArtForum, October 1991
Cyphers, Peggy, Arts Magazine, September 1991
Tallman, Susan, Many Monotypes. Art Magazine, January 1991
Baker, Kenneth, Review, San Francisco Chronicle, November 16, 1989
Valjakka, Timo, Review. Helsingen Sanomat, August 25, 1989
Baker, Kenneth, Review. San Francisco Chronicle, November 16,
1989
Perl, Jed, From September to December,The New Criterion, February
1988
Cohrs, Timothy. Review Artnews, January 1988
Liebmann, Lisa. MBA Abstractionism Flash Art, February-March 1987
Saltz, Jerry. Beyond Boundaries, with essays by Peter Halley and
Roberta Smith, New York: Alfred van der Marck Editions, 1986
Review The Print Collector's Newsletter, March-April 1986
Westfall, Stephen Review Art in America, April 1986
Review The Print Collector's Newsletter, May-June 1985
Lurie, David Review, Arts Magazine, December 1985
Howe, Katherine Surrealism Returns, Images and Issues, March-April
1984
Adams, Brooks Review, Art in America, October 1983
Rebora, Carre David Storey, John Obuck, New Art Examiner, June
1980
Artner, Alan Review, Chicago Tribune, October 10, 1980
Artner, Alan Review, Chicago Tribune, October 24, 1979
Bloomfield, Arthur Refreshments on the Art Gallery Tour, San Francisco
Examiner, July 12, 1978
Tiremann, Robert Three Artists Show at San Antonio Gallery, San
Antonio Express, January 27, 1977
McIntyre, Mary Review, The Austin American Statesman, May 30,
1976
King, Marcia Review San Antonio Express, December 16, 1976