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My paintings are paradoxical mappings of a world that
is at once subtle and aggressive. In them, cryptic structural
markings, diagrammatic notations, architectural rhythms become a
language that both reveals and conceals meaning. It imbues
something that is essentially abstract with a historical and narrative
framework that communicates without being literal.
The work is composed of oil paint mixtures, graphite, pastel which
interact on the clay surface of each panel. The face of each
painting is a delicate skin that is stripped away to expose references
to sheaths of wheat, Venetian walls, the darkness of a Giotto red. This
collection of partially sanded, translucent layers, applied in unpredictable
marks, drips and pourings, creates an atmosphere of anticipation – the
moment right before action. The simultaneity of appearance
and dissolve is an ode to the fusion of time and memory.
…As a thing the way is
Shadowy indistinct,
Indistinct and shadowy
Yet within it is an image
Shadowy and indistinct,
Yet within it is a substance
Dim and dark,
Yet within it is an essence…
XXI Tao Te Ching, Lao Tzu
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