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Seclected Solo Exhibitions:
2007
Lesley
Heller Gallery, NYC
2005
Islip
Art Museum,Long Island,NYOgden
Museum,New Orleans,LA
2004
Pei
Ling Chan Gallery, Savannah College of Art & Design,Savannah,Ga*
2002
Mississippi Museum of Art,Jackson,Miss.*
Kiang
Gallery,Atlanta,Ga
Ogden
Museum,New Orleans,La
Breneau
University,Gainsville,Ga
1999
Katonah
Museum,Katonah,N.Y.curated by Susan Edwards*
Sandler
Hudson Gallery,Atlanta,GA.
Salem
College Art Gallery,Winston-Salem,North Carolina
1998
Colorado
University Art Galleries,Boulder,Colorado,curated by Susan Krane
1996
Sandler Hudson Gallery,Atlanta,Ga.*essay by Nancy Princenthal.
1993
Halsey Gallery, College of Charleston, Charleston, South Carolina,
traveling to University of Florida, Gainesville, Florida*
1992
Winthrop Gallery, Winthrop University, Rock Hill, South Carolina
Sandler
Hudson Gallery, Atlanta, Georgia
1990
McIntosh
Gallery, Atlanta, Georgia
1988
Waterworks
Art Center, Salisbury, North Carolina
Sculpture
Center: Gallery Two, New York, New York
1986
Alternative
Museum, Matrix Gallery, New York, New York Curated by Jane Farver
1985
Allen Priebe Gallery, University of Wisconsin, Oshkosh, Wisconsin*
1984
Haggar Center, St. Mary's College, Notre Dame, Indiana
1983
Emily
Lowe Gallery, Hofstra University, Hempstead, New York
1981
55
Mercer Gallery, New York, New York
Selected Group Exhibitions:
2006
“Some
Assembly Required:Extreme Evolutions,Mead Museum,Amherst,Mass*
“181
National Academy Invitational, New York,NY *
“Threads
of Memory,Dorsky Gallery,NYC,NY*
“Couples” Palmer
Museum,Univ.of Pa.*
2005
“Traveler”,
Dalton Gallery,Agnes Scott College,Atlanta,Ga
“Three
Points of View” Heriard-Cimino Gallery,New Orleans.LA.
2004
“Thinking
in Line-A survey of Contemporary Drawing”,University Gallery,Univ.
of Florida,Gainsville. Curated by John L. Moore & Ron Janowich*
“Striking
Comparisons” Museum of Contemporary Art,Atlanta,Ga.
“Reduce/Reuse/Rexamine” Rotunda
Gallery,NYC.NY.
2003
"Site/Insight" PS1/MOMA,
New York,NY. Curated by Agnes Gund,
2002
"Nene
Humphrey,Mary Campbell",Art Resources Transfer,New York,NY
"Sew Fine" Islip
Art Museum,East Islip,NY. Curated by Karen Shaw*
"Domestic
Traces".Dorsky Gallery,NYC.(three person exhibit) Curated by
Margaret Matthews-Berenson*
"Prints
from the Vermont Studio Press",Robert Hull Flemming Museum,Burlington,Vt
2001
Havana
Biennial,Havana Cuba
2000
"Months
and Moons",ACA Gallery,New York,N.Y.
"Nene
Humphrey/Benny Andrews:The Art of Family",Ogden Museum,University
of New Orleans,New Orleans,La. and The Hotchkiss School,Lakeville,Ct.
Curated by Rick Gruber*
1999
"Head
to Toe:Impressing the Body",University Gallery,Univ. of
Mass. Amherst,Mass. Curated by Donna Harkavey and Margaret Mathews-Berenson
"Millennium
Messages" org. by SITES,Washington,D.C.traveling to Everson
Museum of Art,N.Y.,Miami Univ.Art Museum,Ohio,Heckscher Museum of
Art,Huntington,L.I.Curated by Bobbi Coller*
1998
“Nene
Humphrey,Grace Knowleton”,Workspace Gallery,NYC.curated by
Lesley Heller
1996
“Close
to Home”,Lehman College Art Gallery,Bronx,N.Y.*
“The
Art Exchange Show”Denise Gordon Co.,New York,N.Y
1995
"Essence
and Persuasion,the Power of Black and White",Anderson Gallery,Buffalo,NY
"Object
Lessons: Feminine dialogues with the surreal",Massachusetts
College of Art,Boston,Mass .curated by Jeffrey Keough and Ann Wilson
Lloyd*
"New
South,Old South",Winthrop University Gallery,Rock Hill,S.C.
"In
Three Dimensions:Women Sculptors of the 90's",Newhouse Center
for Contemporary Art,Staten Island,N.Y.*
1994
Project
Room Installation with Ellen Driscoll,Threadwaxing Space,New York,
N.Y.
"Fabricated
Nature," Boise Art Museum, Boise Idaho and traveling*
"Sculpture
Southeast", South Carolina Art Museum,Columbia,S.C.*
1993
"Idiocognito",OIA/Police
Building,New York,N.Y. and William Patterson College,Wayne,N.J.*
"Drawings
from 55 Ferris Street",curated by Frederike Taylor, Jessica
Berwind Gallery,Philadelphia,P.A. and Wynn Kramersky Gallery,New
York, New York.
1992
"55
Ferris II," 55 Ferris Street, Brooklyn, New York. Curated by
Frederike Taylor,essay by Nancy Princenthal*
"Art
on Paper," Weatherspoon Art Gallery, University of North Carolina,
Greensboro North Carolina*
"Embracing
the Void," Valencia College, Orlando, Florida. Curated Judith
Page*
1991
"Stark
Contrast," Trenkmann Gallery, New York, New York
"Art
of Our Times," High Museum, Atlanta, Georgia. Curated by Susan
Krane
1990
"Sculptor's
Drawings," East Hampton Center for Contemporary Art, Long Island,
New York. Curated by Jennifer Cross*
"The
Art of Drawing," Lehman College, Bronx, New York. Curated by
Jane Farver*
"Recent
Acquisitions," High Museum of Art, Atlanta, Georgia
"Small
Works, Cast Iron," Sculpture Center, New York, New York
"Work
on Paper: Contemporary American Drawings," High Museum of Art,
Atlanta, Georgia*
"Collector's
Exhibition," Arkansas Arts Center, Little Rock, Arkansas
1989
"Lines
of Vision. Drawings by Contemporary Women," Hillwood Art
Gallery, Long Island University, Brookville, New York, Blum Helman
Warehouse, and traveling internationally. Curated by Dr. Judy C.
Van Wagner*
"Objects/Figures," East
Hampton Center for Contemporary Art, East Hampton, New York. Curated
by Jennifer Cross*
"Installation," Nexus
Contemporary Art Center, Atlanta, Georgia
"Nene
Humphrey/Phillipe Bent," Leslie Cecil Gallery, New York, New
York
1988
"Scale
(small)," Rosa Esman Gallery, New York, New York
"Sculpture
as Companion," Henry Feiwel Gallery, New York, New York
"Group
Show," John Davis Gallery, New York, New York
"Black,
Grey, White," Henry Feiwel Gallery, New York, New York
"Sculpture
'88," White Columns, New York, New York
"Selections," Siegeltuch
Gallery, New York, New York
1987
"Three
Sculptors," AIR Gallery, New York, New York
"The
Blue Angel," Longwood Arts Center, Bronx, New York, traveled
to Space 111, Birmingham, Alabama and AIR Gallery, New York, New
York*
"Small
Scale Sculpture/Large Scale Sculpture," Atlanta College of Art,
Atlanta, Georgia*
1986
"Nature
into Form," Oscarsson Siegeltuch Gallery, New York, New York
1985
"Earth,
Water, Light," Interart de St. Amand Gallery, New York, New
York
"The
Totemic Impulse," Gallery Schweitzer, Montreal, Quebec, Canada
1984
"Sculptors
Drawings," Sculpture Center, New York, New York
1983
"Sculpture," Greene
Space Gallery, New York, New York, traveled to Visual Arts Gallery,
SUNY at Purchase, New York*
1982
"Sealed
Orders," Mercer Union Gallery, Toronto, Canada
1981
"Ambiance/Stimuli," Alternative
Museum, New York, New York*
"Ritual
and Landscape," Touchstone Gallery, New York, New York
1980
"Inaugural
Show," Touchstone Gallery, New York, New York
1978-9
"Group
Show",Touchstone Gallery,New York,New York
Public Commissions:
1984
"Passages," Haggar
Center, St. Mary's College, Notre Dame, Indiana
"Red
Road for Atlanta," Piedmont Park, A.A.F., Atlanta, Georgia
1983
"Roadrise/Resting
Space," Art on the Beach, Battery Park, New York, sponsored
by Creative Time, Inc.
"Unending
Roads," Mitchel Field, Hofstra University, Hempstead, New York
1981
"Meadow
Passage/Forest House," Morris Museum, Morristown, New Jersey*
1980
"Enclosed
Garden/Landscape," Artpark, Lewiston, New York*
"Four
Mountains for a Grove of Trees," Ward's Island, New York, sponsored by
A.R.E.A.*
Grants and Awards:
2007 Smithsonian
Institution Artist Research Fellowship
2003 Asian
Cultural Council Artist Grant
2001 Berkshire
Taconic Foundation Individual Artist Grant
1999 Anonymous
was a Woman Award
Hambidge
Center,CRG Corporation Fellowship,Rabun Gap,Georgia
1983 National
Endowment for the Arts, Individual Artist Grant
1982 Karolyi
Foundation Fellowship, Vence, France
1978 MacDowell
Colony Fellowship, Peterborough, New Hampshire
1986 Rockefeller
Foundation Fellowship,Bellagio,Italy
Selected Bibliography:
Stanley Staniski, Nene Humphey:Artist, film produced
by Staniski Productions in conjunction with the Ogden Museum, New
Orleans,LA. 2005
Helen Harrison, “Site Specifics,’05,” The
New York Times,July 10,2005
Nancy Princenthal,”Paper Airplanes,Recent Artist books on
Flight and Travel,”Art on Paper, March 2005p.41
Partricia Rosoff,”Nene Humphrey:Carnal Knowledge”,Sculpture
Magazine,Dec. 2004
Ken Johnson,” Gathering a Flock of Quirky Grownups”, The
New York Times,June 18,2003,p.E32
Ken Johnson,"Domestic Traces",TheNew York Times,June
1,2001,p.E4
Ariella Budick, "Woman to Woman",Newsday,April 23,2000
Susan H.Edwards,"Common Touch/Nene Humphrey",Katonah
Museum of Art,Katonah,N.Y.July,1999 Common
Touch,A Site Specific Installation by Nene Humphrey.Videotape
directed by Dianna
Smith:Scapes Productions,pub.by Katonah Museum ofArt,1999
Agnes Gund,"The Passion of a Collector",Civilization
,Library of Congress,Washington,D.C. Jan.Feb.1999
Tom Patterson,"Handy:Sculptor collaborates with Salem students",Winston-Salem
Journal,Feb.7,1999
Susan Krane,"Nene Humphrey, A Wild Patience",University
of Colorado,Boulder,Jan.1998
Dinah Zeiger,"Urge to touch torments viewer at gallery showing",The
Denver Post,Jan. 31,1998
"Hand in Hand",Daily Times,Boulder,Colorado, Jan.29,1998
Jennifer Heath,"Hands",Boulder Planet,Jan.30, 1998
Joe,Miller,"Asking Nene about art",Boulder Weekly,
Jan.1998
Michael Rush,"Five Connecticut Artists Turn to Installation",Art
New England,Feb./Mar. 1998
William Zimmer,”Honoring Women as Keepers of the Home”,The
New York Times,Oct.20,1996 p. 10. N.J.Ed.
Jerry Cullum,”The two sides of domesticity”,The Atlanta
Constitution,Nov. 15, 1996
Cathy Byrd,”The Tree Beyond its Leaves”,Creative Loafing, Atlanta,
Ga.,Nov. 16, 1996
Suzanne Ramljak, "Carnal Knowledge' Object Lessons,Feminine
dialogues with the surreal , Massachusetts College
of Art,Boston,Jan. 1995, p.5.
Susan Hapgood, "Feminine Strategies",Object Lessons,Feminine
dialogues with the surreal,Massachusetts College of Art,Boston,Jan.
1995,p.9.
Nancy Stapen, "Feminine Dialogues': a tempest from Oppenheim's
teacup", The Boston Sunday Globe ,Jan.29,1995
p.42.
Mary Sherman,"Female artists express their gender ",The
Boston Herald , Jan. 25,1995 p. 46.
Cynthia Nadelman,"Recent Drawings by Sculptors: A Common Language",Drawing,
July/August 1994 p.25.
Chris Schnoor,”Sculptural Dualities”.Reflex ,Aug./Sept.p.13
William Zimmer, "Sculpture at Two Displays at Wayne," New
York Times, December 5, 1993, p. 16
Eileen Watkins, "Art at WPC," Sunday Star-Ledger,New
Jersey,December 5, 1993
Arlene Raven,"Days Without Art", Village Voice,
October 5, 1993.
Kristina Montvidas-Kutkus, "Dimensions of Slavery Explored",
Post and Courier, Charleston, S.C., April
4, 1993.
Janet Koplas, "55 Ferris II," Art in America, February,
1993, p. 106
Amy Jinker Lloyd, "Nene Humphrey, Sandler Hudson Gallery," Art
in America, December, 1992, p. 122
Susan Krane, "Matrix: Nene Humphrey," Winthrop Gallery,
Winthrop University, Rockhill, South Carolina,
1992
Jerry Cullum, "'Dream' Objects Probe Landscape of the Emotions," The
Atlanta Journal, March 6, 1992, p. F2
Tom Patterson, "Two Exhibits: One Shouts, One Whispers," The
Charlotte Observer, September 13, 1992
Judith Page, "Embracing the Void," Valencia College, Orlando,
Florida, 1992
William Zimmer, "The Public and Private in Robust Dialogue," New
York Times, October 28, 1990
Jennifer Cross, "Sculptor's Drawings," EHCCA, Long Island,
New York, 1990
Jane Farver, "The Art of Drawing," Lehman College, Bronx,
New York, 1990
Jerry Cullum, "Artists' Styles Contrast Nicely in McIntosh Exhibit
of Sculptures, Drawings, Paintings," The Atlanta Journal, April
5, 1990, P.C-6
Carrie Przybilla, Working on Paper, Contemporary American Drawing, (High
Museum of Art, Atlanta, 1990)
Karen Lipson, "Dip into these Drawings by Contemporary Women," Newsday, New
York, June 9, 1990
Rose C.S. Slivka, "From the Studio," East Hampton Star,
September 11, 1990
Dr. Judy C. Van Wagner, Lines of Vision. Drawings by Contemporary
Women, with essays by Thomas Leavitt and Judith Wilson (Hudson
Hills Press, New York, 1989)
Tom Patterson, "Subtle Images Give Salisbury Show its Power,"Winston-Salem
Journal, September 11, 1988, p. 4
Chris Redd, "Nene Humphrey's Modernist Metaphors," The
Arts Journal, North Carolina, October 1988, Vol. 14, No.
1, p. 14
Thomasine Bradford, "Small Scale Sculpture/Large Scale Sculpture," Art
Papers, Atlanta, Georgia, January/February 1988, Vol. 12, No.
1, p. 49
Juli Carson, Howard McCalebb, Blue Angel: The Decline of Sexual
Stereotypes in Post Feminist Sculpture, (Longwood Art Center,
New York, 1987)
Lisa Tuttle, Small Scale Sculpture/Large Scale Sculpture, (Atlanta
College of Art, Atlanta, Georgia, 1987)
B. McKenzi "Road is Primary Motif in Nene Humphrey's Art," Atlanta
Journal-Constitution, April 13, 1987
Phil Williams, "Nene Humphrey: Recent Drawings and Sculpture," Art
Papers, Vol. 11, No. 4, July-August
Eric Siegeltuch, Nene Humphrey: Situations, (University
of Wisconsin, Oshkosh, Wisconsin, 1985)
Pat Stenson, "Wisconsin Upbringing Still Inspiring Modernist
Artist," Post Crescent, Oshkosh, Wisconsin, March 31,
1985
Karen Heisler, "Sculptor Nene Humphrey Creates Passages," Courier, South
Bend, Indiana, Summer 1984
Martin Ries, "Ambiance/Stimuli," Re.Dact, An Anthology
of Art Criticism, Peter Frank editor, (Willis, Locker, Owens,
New York, 1984) p. 141
Michael Perri, "On-Site Sculpture," Art Papers, Vol.
8, No. 3, 1984
Appearances, (sculpture reproduction), Robert Witz
editor, No. 10, Spring 1984
Janet Heit, Sculpture at Greene Space, curated by Irving
Sandler, Corrine Robins, Kathy Goncharov, (New York OIA, 1983)
Art and Artists, (sculpture reproduction), September
1983
Grace Glueck, "Engaging Experiments Transform a Sandy Site," New
York Times, July 31, 1983
Kay Larson, "On the Beach," New York Magazine, September
5, 1983
Donald Kuspit, "OIA at Greene Space," Artforum, April
1983
Bruce Eder, "Provocative Modern," Arts Weekly, New
York, February 2, 1983
Benny Andrews, Ambiance/Stimuli, (Alternative Museum, New
York, 1982)
Linda Shearer, Artists Space: Independent Exhibitions Program, (Artists
Space, New York, 1982)
John Caldwell, "Modernism in Morristown," New York Times (New
Jersey edition), August 30, 1981
Judith Wilson, "Small-Crafted Warnings," Village Voice, May
26, 1981
Gail Gelburd, Environmental Art Projects 1981, (Morris Museum,
New Jersey, 1981)
Janet Heit, "Nene Humphrey: Medieval Landscape," Arts
Magazine, June 1981
Richard Huntington, Artpark 1980, (Artpark, Lewiston, New
York ,1980)
Vivienne Thaul Wechter, AREA Sculpture-Ward's Island, (AREA
Inc, New York, 1980)
Grace Glueck, "Outdoor Sculpture," New York Times, September
11, 1980
Sarah McFadden, "Going Places Part II," Art in America, Summer
190
Carrie Rickey, Kay Larson, "Stalking the Wild Sculpture," Village
Voice, June 25, 1980
John Perreault, "Ward's Island," Soho News, June
25, 1980
Richard Huntington, "Artpark," Courier Express, Buffalo,
New York, July 13, 1980
Education:
M.A. Goddard College, Boston, Massachusetts 1972
B.A. St. Mary's College, Notre Dame, Indiana 1968
M.F.A. York University, Toronto, Canada 1978
Teaching Experience/Visiting Artist
New York University,NYC,NY
University of Maryland,Baltimore,MD
Vermont Studio Center,Johnson,VT
Goodman Banks Visiting Artist,Kingswood-Oxford School,Hartford,Ct
University of Connecticut Graduate Program,Storrs,Ct. 2000
Rhode Island School of Design,Visiting Artist 2000
Rhode Island School of Design:Graduate Program Sculpture. 1999-
Massachusetts College of Art Visiting Artist, 1999
Brandeis University,Visiting Artist,1999,2001
Hunter College,Visiting Artist 1999
Vermont College of Norwich University,Montpelier,Vt. Graduate Program.1998-
Advisory Panel Member:Rencontres Choregraphiques International/Danspace,Nyc,N.Y
1997
Princeton University,Princeton,N.J. Visiting Professor:Sculpture
1998
University of Colorado,Boulder,Co. Visiting Artist, 1998
Massachusetts College of Art,Visiting Artist 1995
Parsons School of Art and Design,New York,N.Y. 1992-1998
College of Charleston,Charleston,S.C. Visiting Artist, 1993
Middlebury College,Middlebury,Vt. Visiting Artist,1992
Valencia Community College,Orlando,Fl. Visiting Artist, 1992
Winthrop College, Rock Hill,S.C. Visiting Artist, 1992
University of Wisconsin,Oshkosh,Wisc. Visiting Artist, 1985
Saint Mary’s College,Notre Dame,Ind. Visiting Artist,1984
Nova Scotia College of Art and Design,Halifax,N.S.,Visiting Artist,1982
Illinois State University,Normal,Ill. Visiting Artist, 1982
St. Ann’s School,Brooklyn,N.Y. Courses taught: Sculpture I and
II,Three Dimensional Design,”Body as Metaphor”(sculpture).,
1982-1998
Art in Public Places Program Consultant, Washington State Arts Commission,Seattle,Wash.,
1981-82
Art Instructor:McDougell Center for Boys,Brooklyn,N.Y. and Manhattan
Psychiatric Hospital,Ward’s Island,N.Y. 1979-80.Art Workshops
developed for social workers working with disturbed children
at Rhode Island State Hospital and Westerly Art Center,Westerly,R.I.,1974-79
York University,Toronto,Ontario, Instructor: Foundations course for
freshman(drawing,sculpture,painting),1977-78
Creative Arts Workshop,New Haven ,Ct. Instructor: Drawing, Design,Sculpture,
and grant writing for special funded projects with inner city
youth.
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