Cyrilla Mozenter
Resume
CYRILLA MOZENTER
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SOLO EXHIBITIONS
2010 warm snow, Adam Baumgold Gallery, New York
2005-06 More saints seen, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut
2002 Cuts and Occasions, Dieu Donné Papermill, New York
2000 Very well saint, The Drawing Center, New York - catalog
1996 Secret Ears, BAM's Majestic Theater. Brooklyn, New York
1995 Undercurrent, Espaço Cultural Sergio Porto, Rio de Janeiro
1993 Preserve V, Jamison Thomas Gallery, Portland, Oregon
1991 Recent Sculpture, Jamison Thomas Gallery, New York
1990 Five Works, Susan Schreiber Gallery, New York
1988 Large-Scale Drawings, William Paterson University, Wayne, New Jersey
1985 Drawings, 55 Mercer Gallery, New York
GROUP EXHIBITIONS
2012 Art/Sewn: Tradition, Innovation, Expression, curated by Ward Mintz,
Asheville Art Museum, North Carolina
Aldrich Undercover, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut
Zoo-ey, Lesley Heller Workspace, New York
2011 Drawn, Adam Baumgold Gallery, New York
Art/Sewn: Tradition, Innovation, Expression, curated by Ward Mintz, Five Myles, Brooklyn, New
York
Ex Libris, Adam Baumgold Gallery, New York
2010 Aldrich Undercover, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut
2009 The Idea of North, 210 Gallery, Brooklyn, New York - two-person show
2008 Cyrilla Mozenter & David Storey, Lesley Heller Gallery, New York
New Artists, New Work, William Siegal Gallery, Santa Fe, New Mexico
Aldrich Undercover, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut
Summer, Knoedler Project Space, New York
Neo-Constructivism: Art, Architecture, and Activism,curated by Anonda Bell and Jorge
Daniel Veneziano, Paul Robeson Galleries, Rutgers University, Newark and School of
Architecture Gallery, New Jersey Institute of Technology, Newark, New Jersey - catalog
2007 Per Square Foot, Benefit auction and inaugural exhibition, Dieu Donné Papermill, New York
White as Color, curated by Carole Jay, The Tengelson Gallery, The Art League of Long
Island, Dix Hills, New York
FlashPop Benefit + Art Auction, NYFA, Location One, New York
Crossover: Combining Traditions, Metals and Sculpture, curated by Kate Budd and
Sherry Simms, Emily Davis Gallery, Myers School of Art, University of Akron, Ohio
2006 Aldrich Undercover, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut
7th Annual Benefit Auction, Dieu Donné Papermill, New York
2005 Editions from The Aldrich Contemporary Art Museum, Art Basel Miami Beach, Florida
In a Series, Adam Baumgold Gallery, New York
Contemporary Women Artists: New York, curated by Judy Collischan, Indiana
State University, Terre Haute, Indiana
2004 University Gallery's Recent Gifts and Acquisitions, University of Massachusetts, Amherst,
Massachusetts
Good Fortune, Benefit Exhibition and Auction, Dieu Donné Papermill, New York
Benefit Auction, Little Red School House, New York
2003 Pins and Needles, curated by Lena Vigna, Kohler Arts Center, Sheboygan, Wisconsin
Felt Works, Kristen Frederickson Fine Art, New York - 2 person show
Postcards from the Edge, Visual AIDS Benefit, Galerie Lelong, New York
Take Out, Benefit Exhibition and Auction, Dieu Donné Papermill, New York
Funky Fine Fall Line, curated by Judy Collischan, Chelsea Art Museum, New York -
traveled to Berliner Kunstproject, Berlin
In the Making: Contemporary Drawings from a Private Collection, University Gallery,
University of Massachusetts, Amherst, Massachusetts
2002 25th Anniversary Selections Exhibition, The Drawing Center, New York
Timepieces, Benefit Exhibition and Auction, PS 122 Gallery, New York
Parsing the Line, curated by Lesley Heller & Stephen Sollins, The Workspace, New York
Champions of the Arts, Benefit Auction, New York Foundation for the Arts, New York
panorama-city at Staub/Contemporary Art Gallery, Zurich
2001 Subtle, curated by Lesley Heller, The Work Space, New York
Kabinett, Gretel's_FILE, Zurich
Founder’s Choice, Benefit Auction, Dieu Donné Papermill, New York
2000 Art on Paper, curated by Nancy Doll and Ron Platt, Weatherspoon Art Museum,
Greensboro, North Carolina - catalog
Endpapers: Drawings 1890-1900 and 1990-2000, curated by Judy Collischan,
Neuberger Museum of Art, Purchase, New York - catalog
Monoprints, Malca Fine Art, New York
1999 On the Verge, studio tour, Neuberger Museum of Art, Purchase, New York
Souvenirs/Documents: 20 Years, curated by Susan Schreiber, PS 122, New York
1998 Current Undercurrent: Working in Brooklyn, The Brooklyn Museum of Art, Brooklyn, New York
Human Nature, curated by Lesley Heller, The Work Space, New York - 3-person show
Benefit Exhibition for C-Space, The Work Space, New York
Gramercy International Contemporary Art Fair, New York
Flatfiles, Pierogi 2000, Brooklyn, New York
1997 Norfolk '97, curated by Olivia Georgia, Yale Summer School of Music and Art, Norfolk,
Connecticut
Figuring Women‚ Lives, curated by Janice Farley, Kingsborough Community College,
Brooklyn, New York
Suture, curated by Annie Herron, Rotunda Gallery, Brooklyn, New York
14th Biennial Invitational Exhibition: Drawing, Dinnerware Contemporary Art Gallery,
Tucson, Arizona
1996 Domestic Violence, curated by Susan Schreiber, PS 122, New York
Benefit Exhibition, PS 122, New York
Spring Benefit Exhibition, Sculpture Center, New York
1995 Conceptual Textiles: Material Meanings, curated by Alison Ferris, Kohler Arts Center,
Sheboygan, Wisconsin - catalog
Work in Wax, Nohra Haime Gallery, New York
1994 The Press, A Print Workshop With Invited Artists, Horodner Romley Gallery, New York
1993 Cyrilla Mozenter/Richard Hazel, E. S. Vandam Gallery, New York
The Return of the Cadavre Exquis, The Drawing Center, New York
Wasteland, curated by Sergio Bessa & Todd Roulette, Dooley Le Cappellaine Gallery,
New York
Transient Decor - Room 311, organized by Horodner-Romley Gallery in collaboration
with Saul Ostrow, Roger Smith Hotel, New York
Simply Made in America, curated by Barry A. Rosenberg, Aldrich Museum of Contemporary
Art, Ridgefield, Connecticut - catalog / traveled to: The Contemporary Art Center, Cincinnati;
Butler Institute of American Art, Youngstown; Palm Beach Community College; Delaware Art
Museum, Wilmington
1992 Crosscurrents -- New York Invitational, Jamison Thomas Gallery, Portland, Oregon
Inaugural Exhibition, Wynn Kramarsky, New York
The Sculptural Body, Stark Gallery, New York - 3-person show
Works on Paper, benefit for the Clayworks Youth Shelter, Stark Gallery, New York
Chicago Art Fair, Chicago, Illinois
1991 Intimate Relations, Jamison Thomas Gallery, New York
Sum of the Parts, Jamison Thomas Gallery, New York
Compulsion, Jamison Thomas Gallery, New York
1990 Susan Schreiber Gallery, New York
Hand, Body, House - Approaches to Sculpture, curated by Nancy Einreinhofer and David
Shapiro, William Paterson University, Wayne, New Jersey - catalog
The Legacy of Surrealism in Contemporary Art, curated by Nancy Einreinhofer, William
Paterson University, Wayne, New Jersey - catalog
1987 The Exceptions and the Exceptionals: Women Artists at Pratt, curated by Corinne Robins,
Pratt Manhattan Center, New York - catalog
1986 Pin-Ups, Rotunda Gallery, Brooklyn, New York
1983 1984, BACA Downtown, Brooklyn, New York
1982 Summer Show, Barbara Toll Fine Art, New York
1981 Group Show of New Painters, Barbara Toll Fine Art, New York
1978 3 Artists, 415 West Broadway, New York
INTERNET LINKS
Why People Draw, 2011 -- http://wackyshortscreations.com/2011/06/08/why-people-draw-cyrilla-mozenter/ - interview by Carolina Pedraza -
Lesley Heller Gallery, 2008 -- http://www.youtube.com/watch?v=Wcm1dGk0Vto - video interview
Artists Space -- http://registry.bricartsmedia.org/profile.php?aid=5570 - profile
Cyrilla Mozenter: More saints seen,The Aldrich Contemporary Art Museum, 2006 -- http://www.youtube.com/watch?v=LHGwV2yZsdE - video with interview by Juan Recaman
Elizabeth A. Sackler Center for Feminist Art, The Brooklyn Museum of Art // www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/cmozenter.php - profile
The Drawing Center - http://drawingcenter.org/pub_books.cfm?fid=106 - catalog/Drawing Papers #8
GRANTS AND AWARDS
2005 The Coby Foundation, sponsor of solo exhibition at The Aldrich Contemporary Art Museum
2005, 2001 Project Grant, The Fifth Floor Foundation
2001, 1986 New York Foundation for the Arts Fellowship
2012, 2009, 2001,1996 Pratt Faculty Development Grant
1985, 1988 Artist Grant, Artists Space
RESIDENCIES
2001 Artist Sponsorship Program, Dieu Donné Papermill, New York
1995 Artist-in-Residence, International Residency Program, Instituto Municipal de Arte e Cultura‚ Rioarte, Rio de Janeiro
Artist-in-Residence in conjunction with Conceptual Textiles, Material Meanings, Kohler Arts Center, Sheboygan, Wisconsin
COMMISSIONS
1995 Installation in conjunction with the Brooklyn Philharmonic Orchestra's Orientalism series, BAM's Majestic Theater, Brooklyn, New York
1985 Drawing for 20 foot wall, Rotunda Gallery, Brooklyn, New York
PUBLIC COLLECTIONS
The Arkansas Arts Center; Birmingham Museum; Brooklyn Museum of Art; Hood Museum of Art; New Mexico Museum of Art; New York Public Library - Print Collection; University Gallery, University of Massachusetts, Amherst; Yale University Art Gallery
Artist Book Collections: Birmingham Museum, Brooklyn Museum Libraries and Archives, CG Jung Center/ARAS - NY, New York Public Library - Print Collection, Pratt Institute Library, Walker Art Center
PERFORMANCE
The Correspondence - I Can't Remember
In collaboration with S Again
1982 Inroads Multi-Media Center, New York
Pratt Institute, Brooklyn, New York
1980 Harvard University, Cambridge, Massachusetts
BIBLIOGRAPHY
ONWorking with Handmade Paper: A Conversation / Cyrilla Mozenter and Drew Shiflett, Hand Papermaking, Winter 2012. - forthcoming
Cotter, Holland. Art in Review, Art/ Sewn: Tradition, Innovation, Expression, The New York Times, April 28, 2011.
Robert Shuster. Art/Sewn: Tradition, Innovation, Expression at FiveMyles, The Village Voice, April 20, 2011.
Naves, Mario. Art/Sewn: Tradition, Innovation, Expression, CityArts, NY's Review of Culture, April 5, 2011 // http://cityarts.info/2011/04/05/artsewn-tradition-innovation-expression/
Ruyak, Jacqueline. Cyrilla Mozenter: On the Edge of the Diving Board, Surface Design Journal, Winter 2010.
Davis, Kathryn M. New Artists, New Work William Siegal Gallery, THE Magazine, December 2008/January 2009
Catalog. Neo-Constructivism: Art, Architecture & Activism. Essays by Anonda Bell, et al. Rutgers University, New Jersey, 2008.
Griffin, Nora. Werner Kramarsky and the Art of Collecting, The Brooklyn Rail, December 2007-January 2008.
Eshoo, Amy and Finch, Elizabeth, Editors. 560 Broadway, A New York Drawing Collection at Work, 1991-2006, The Fifth Floor Foundation, NY in association with Yale University Press, New Haven and London, 2008.
Goodman, Jonathan. Reviews‚ Ridgefield, Connecticut, Cyrilla Mozenter, Aldrich Contemporary Art Museum, Sculpture, July/August 2006.
Recaman, Juan. Cyrilla Mozenter: More saints seen. 2006. - video
Event Planner & Date Book, Connecticut Cottages and Gardens, February 2006.
Itinerary, Sculpture, January-February, 2006.
design datebook, New York Spaces, January 2006.
Roy, LuAnne. Child's Play. Fairfield County Weekly. October 20, 2005.
Mozenter, Cyrilla. More saints seen. Essay by Elizabeth Finch. 2005. - Artist Book
Funky Fine Fall Line: New York & Berlin, NY Arts, May 2003
Noguchi, Tokuo. Hand Papermaking in USA. Produced in cooperation with POLA Art Foundation, Japan, et al, 2002. - video
Schmerler, Sarah. Art Reviews. Parsing the Line, Time Out New York, May 2, 2002.
Johnson, Ken. Art in Review - Parsing the Line, The New York Times, April 19, 2002.
Johnson, Ken. Art in Review - Subtle, The New York Times, November 23, 2001.
Cohen, Mark Daniel. End Papers: Drawings 1890-1900 and 1990-2000 at the Neuberger Museum of Art, Review Magazine, March 15, 2000.
Catalog. Art On Paper 2000. Weatherspoon Art Museum, University of North Carolina at Greensboro, Greensboro, North Carolina, 2000.
Catalog (for solo exhibition, Very well saint). Drawing Papers #8. Essay by Elizabeth Finch. The Drawing Center, New York, 2000.
Catalog. Endpapers: 1890-1900 and 1990-2000. Essay by Judy Collischan. Neuberger Museum of Art, Purchase, New York, 2000.
Riley II, Charles A. The Saints of Modern Art. University Press of New England, 1998.
Catalog. Conceptual Textiles: Material Meanings. Essay by Alison Ferris. Kohler Arts Center, Sheboygan, Wisconsin, 1998.
Bessa, Sergio, Organizer. Historic Kiosk, zingmagazine, April, 1998. - reproduction of book pieces
Schmerler, Sarah. Art Review - Suture, Time Out New York. February 20-27, 1997.
Riani, Monica. Os graos metafisicos de Cyrilla, Jornal do Brasil, August 9, 1995.
Miranda, Claudia. Enfim, chegou a vez das artes plasticas dos Estados Unidos, Tribuna da Imprensa, August 9, 1995.
Bessa, Sergio, Editor. Wasteland. Published in small edition by Sergio Bessa with assistance from Todd Roulette and Dooley Le Cappellaine, New York, 1995. - reproduction of sculpture.
Mozenter, Cyrilla. Incidents of Soap Stealing in Various States in Mexico or Homage to Francis Ponge, publicsfear, Winter, 1993-94.
Morgan, Robert C. After the Deluge, Essays on Art in the Nineties. Red Bass Publications, New York, 1993.
Hayes, Brian. The Information Age, The Sciences, September/October, 1993. - reproduction of sculpture
Zimmer, William. Industrial Strength Sculpture With Economy-Size Politics, The New York Times, March 28, 1993.
The Poetry Project Newsletter. The Poetry Project Ltd., New York, February-March 1993. - reproductions of sculptures
Catalog. Simply Made in America. Essay by Barry A. Rosenberg. Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, 1993.
Morgan, Robert C. Environment, Site, Displacement, Sculpture, March-April 1992.
Morgan, Robert C. Review, Tema Celeste, January-March, 1992.
Koplos, Janet. Review of Exhibitions, Art in America, January, 1992.
Melrod, George. Review - Cyrilla Mozenter, Recent Sculpture, January, 1992. - unpublished
Raven, Arlene. Choices, The Village Voice, October 15, 1991.
Catalog. Hand, Body, House - Approaches to Sculpture. Essay & poetry by David Shapiro. William Paterson University, Wayne, New Jersey, 1990.
Catalog. The Legacy of Surrealism in Contemporary Art. Essay by Nancy Einreinhofer et al. William Paterson University, Wayne, New Jersey, 1988.
Catalog. The Exceptions and the Exceptionals: Women Artists at Pratt. Essay by Corinne Robins. Pratt Institute, Brooklyn, New York 1987.
LECTURES AND OTHER PROFESSIONAL ACTIVITIES
2009 Suteks Tekstil, Istanbul
2008 Textile Study Group of New York
2005 The Aldrich Contemporary Art Museum, Ridgefield, Connecticut
2002 Jury Panelist, Workspace Program, Dieu Donné Papermill, NY - MFA Program, Queens College, New York
2001 AICAD/New York Studio Program, New York
1998 Umea Universitet Konsthogskolan, Sweden (in New York)
New York Library Association, New York
1997 Yale Summer School of Music and Art, Norfolk, Connecticut
1996 MFA Program, Hunter College, New York
Panelist, Verbal and Visual Metaphor, Conference - Writing the Arts/ When Language Meets Form, Pratt Institute, Brooklyn, New York
1995 Kohler Arts Center, Sheboygan, Wisconsin
Museu de Arte Moderna, Rio de Janeiro
Escola de Artes Visuais do Parque Lage, Rio de Janeiro
Espaçio Cultural Sergio Porto, Rio de Janeiro
1991 Great Lakes Colleges New York Arts Program, Ohio Wesleyan University (in New York)
1990 William Paterson University, Wayne, New Jersey
TEACHING
1985-date Pratt Institute, Brooklyn
2001 The Cooper Union School of Art, New York
1994-1997 Parsons School of Design, New York
EDUCATION
Pratt Institute, Brooklyn - BFA 1970, MFA 1972