David Storey
Resume
DAVID STOREY
BORN
1948 Madison, Wisconsin
EDUCATION
1972 MFA, University of California at Davis
1970 BA, University of California at Davis
1966-68 University of California at Berkeley
SOLO EXHIBITIONS
2011 The Architecture of Indifference, Ralph Pucci International ‘Gallery 9’, New York
site specific painting installation (catalog)
2011 ‘david storey: four legs, two legs’, Gensler Design and Architecture,
New York, NY
2008 Lesley Heller Gallery, New York (with Cyrilla Mozenter)
2004 The Cue Foundation, New York (catalogue)
2000 Dinaburg Arts, New York
1996 Morris-Healy Gallery, New York
1992 Hirschl and Adler Modern, New York
1991 Hirschl and Adler Modern, New York
Betsy Senior Gallery, New York
1990 Davis/McClain Gallery, Houston, Texas
Jorge Alberto Arte Contemporeano, Madrid, Spain (catalogue)
1989 Lino Silverstein Gallery, Barcelona, Spain (catalogue)
1987 Hirschl and Adler Modern, New York (catalogue)
1985 Jay Gorney Modern Art, New York
1984 Concord Contemporary Art, New York
1983 Concord Contemporary Art, New York
1981 Concord Contemporary Art, New York
SELECTED GROUP EXHIBITIONS
2012
2011 The Best of Both Worlds: Finely Printed LIvres des Artiste, 1910-2010
The Grolier Club, NY, curated by Jerry Kelly, Riva Castleman and Ann Hoy
(hardbound catalog)
2011 Head Case, Lesley Heller Workspace, NY
2010 Group Exhibition, Elizabeth Foundation for the Arts, New York, NY
2010 Tamarind Touchstones:Fabulous at Fifty, University of New Mexico
Art Museum, Albuequerque, NM (catalog)
2010 Grenfell Press, Thirty Years of Collaboration, Knoedler Project
Space, New York
2010 ‘Town and Country’, curated by Trevor Winkfield, Tibor de Nagy
Gallery, NY (June )
2010 ‘Ocketopia’ curated by Austin Thomas, Lesley Heller Gallery, NY
2009 May-December, Rhode Island School of Design, Providence, RI
2008 Recent Work, Ralph Pucci International, New York, Los Angeles
2007 Drawings, McKee Gallery, New York
2007 Working With Prints: Selections fromEight Corporate Collections,
International Print Center New York
2007 Recent Acquisitions, Naples Museum of Art, Naples, FL
2007 Soulful – David Storey, Carol Ann Parlatto, David Shapiro
Amy Simon Fine Arts, Westport, Connecticut
2006 Jane Kent, David Storey – Paintings Drawings Prints
Hebrew Home at Riverdale, New York
2006 Abstract Landscapes, curated by Trevor Winkfield, Snug
Harbor Cultural Center, Staten Island
2005 Fall Vernissage 2005, Dinaburg Arts, New York
2005 Sets, Series and Suites: Contemporary Prints, curated by Clifford Ackeley, Boston Museum of Fine Arts
2004 Syncopated Rhythms Ensemble Improvisation, Clifford Chance,
New York, Curated by Mary Dinaburg, Brochure with essay by
Barbara McAdams
2004 New Prints 2004/Summer, The International Print Center
New York, New York
2003 ‘im+provisus’. Compositions in Jazz, the Sheldon Art
Galleries, Saint Louis, Missouri
2001 A Century of American Color Woodcuts, Hirschl and Adler
Gallery, New York
2001 Almost Giddy-Optimism in Contemporary Abstraction,
Clough-Hanson Gallery, Rhodes College, Memphis, TN
2001 Group Show, Paul Morris Gallery, New York
1999 Twenty Years of the Grenfell Press, Paul Morris Gallery,
New York
23rd International Biennial of Graphic Art, Ljubljana,
Slovenia (catalogue)
1998 Summer Group Exhibition, Betsy Senior Gallery, New York
Collectors' Gallery, McNay Art Museum, San Antonio, Texas
1996 Selected American Drawing 1945-1995, Noyes Museum, New
Jersey
Pintores en Grabado (V Bienal Internacional de Pintura),
Banco Central, Cuenca, Ecuador (catalogue)
Comic Inspirations, Adam Baumgold Fine Art, New York
1995 Inaugural Exhibition, Paul Morris Gallery, New York
Into the Nineties:Prints from Tamarind Institute,
organized by the Weatherspoon Art Gallery, University of
North Carolina at Greensboro, traveling to Lehigh
University Art Galleries, Herter Art Museum, University of
Massachusetts,University of New Hampshire, University of
New Mexico Art Museum (catalogue)
Maurice Sanchez/Print Collaborations, Montclair Art Museum,
Montclair, New Jersey
1994 Drawings, Arkansas Art Center, Little Rock, Arkansas
Richard Levy Gallery, Albuquerque, New Mexico
Small Paintings, Paul Morris Gallery, New York
1993 Drawings (benefit for the Foundation for Contemporary
Performance), Leo Castelli Gallery, New York
New Abstraction, Betsy Senior Contemporary Prints, New York
Group Show Graham Modern, New York
1991 A Bestiary (collaborative book with text by Brad Morrow).
Paula Cooper Gallery, New York
Drawing By, Proctor Art Center, Bard College, Annandale-on-
Hudson, New York (curated by John Lees)
1990 The Unique Prints 70's into 90's, Museum of Fine Arts,
Boston, Massachusetts (catalogue)
42nd Annual Purchase Exhibition, American Academy and
Institute of Arts and Letters, New York
Surface Printing in the 80's, Zimmerli Art Museum, Rutgers
Art Museum, Rutgers, New Jersey
1989 1980's Prints from the Collection of Joshua P. Smith,
National Gallery of Art, Washington, DC
Drawings, Stephen Wirtz, San Francisco, California
(catalogue)
Five Americans, Galerie Marie-Louise Wirth, Zurich,
Switzerland
Young New York, Galerie Bellarte, Helsinki and Turku,
Finland
Art of the 80's - From the Collection of Chemical Bank,
Montclair Art Museum, Montclair, New Jersey (catalogue)
Drawings, Lorence-Monk Gallery, New York
1988 The Abstract Impulse, Davis/McClain Gallery, Houston, Texas
Jack Goldstein, John Obuck, David Storey, John Torreano,
Dart Gallery, Chicago, Illinois
Scott Hanson Gallery, New York
Works on Paper, Tibor de Nagy Gallery, New York
New Monotypes from Europe and America, Pace Graphics, New
York
1987 Drawn Out, Kansas City Art Institute, Kansas City, Missouri
Prints, Hirschl and Adler Modern, New York
Collectors' Gallery XXI, McNay Art Museum, San Antonio,
Texas
1986 Intuitive Line, Hirschl and Adler Modern, New York
Jay Gorney Modern Art, New York
The East Village, Fashion Institute of Technology, New York
Abstraction, Figure to Form, Greathouse Gallery, New York
Pictures from the Inner Mind, Palladium, New York (curated
by Dan Cameron)
1985 Print Review, Lorence-Monk Gallery, New York
Drawings, 1975-1985, Barbara Toll Fine Arts, New York
Post-Style, Wolff Gallery, New York
Charcoal Drawings 1880-1985, Janie C. Lee, Houston, Texas
(catalague)
Jay Gorney Modern Art, New York
Getler-Saper Gallery, New York
Drawings, Lorence-Monk Gallery, New York
1984 Drawings, Barbara Toll Fine Arts, New York
Relative Meaning, The Figure in Context, Hallwalls,
Buffalo, New York
1983 The New Biomorphism and Automatism, Hamilton Gallery, New
York
Getler-Pall Gallery, New York
1982 Concord Contemporary Art, New York
Drawings by Painters, Long Beach Museum of Art, Long Beach,
California curated by Richard Armstrong (catalogue)
1980 Zolla-Lieberman Gallery, Chicago, Illinois
San Francisco Art Institute, San Francisco, California
1979 New Visions: New Talent, Zolla-Lieberman Gallery, Chicago,
Illinois
Richmond Art Center, Richmond, California
1978 Introductions, Hansen Fuller Gallery, San Francisco, Calif.
MUSEUM COLLECTIONS
Albuquerque Art Museum, Albuquerque, New Mexico
Helsinki City Art Museum, Helsinki, Finland
Museum of Modern Art, New York
Museum of Fine Arts, Boston, Massachusetts
Baltimore Museum of Art, Baltimore, Maryland
Fogg Art Museum, Harvard University, Cambridge, Massachusetts
Arkansas Art Center, Little Rock, Arkansas
New York Public Library Print Collection, New York
Whitney Museum of American Art, New York
Metropolitan Museum, New York
MIT, Cambridge, MA
Block Museum of Art, Northwestern University, Chicago, IL
Naples Museum of Art, Naples, FL
SELECTED PUBLIC COLLECTIONS
Amerada Hess, Houston, TX
American Express, New York, NY
Microsoft Corporation, Redmond, WA
Chase Manhattan Bank, New York, NY
Chemical Bank, New York, NY
Teacher’s Insurance Annuity Association, New York, NY
U.S. Department of State, Washington, DC
Union Bank of Switzerland, New York, NY
Morgan Guaranty Trust Company, New York, NY
Robertson Stephens & Company, San Francisco, CA
Chadbourne & Parke, New York, NY
Walt Disney World Company, Orlando, FL
JP Morgan, New York, NY
Nomura Securities, New York, NY
IBM Corporation, Armonk, NY
Marion Koogler McNay Museum, San Antonio, TX
Rutgers Archive for Printmaking, Rutgers University, New
Brunswick, NJ
The Jane Voorhees Zimmerli Art Museum, Rutgers University, New
Brunswick, NJ
Barneys, New York
Nieman Marcus, Dallas, Texas
Saks Fifth Avenue, New York
General Mills, Minneapolis, MN
COMMISSIONS
Barneys, New York
10 Wall Street, New York
Saks Fifth Avenue, New York, NY
AWARDS AND GRANTS
2011 Yaddo Residency Fellowship, Saratoga Springs, NY, Oct.
2011 MacDowell Colony Residency Fellowship, Peterbourough, NY. Sept
2010 Fellowship in Painting, John Simon Guggenheim Memeorial Foundation,
New York, NY (project continues through 2011)
2008 Elizabeth Ames Endowed Residency, Yaddo, Saratoga Springs, NY
2006 Phillip Guston and Musa McKim Endowed Residency, Yaddo,
Saratoga Springs, NY
1999 – present:
Elizabeth Foundation for the Arts Studio Program
New York
2003 Yaddo Residency Fellowship, Saratoga Springs, NY
1999 Yaddo Residency Fellowship, Saratoga Springs, NY
1997 Milton and Sally Avery Endowed Residency, Yaddo, Saratoga
Springs, New York
1993 The Elizabeth Foundation for the Arts Artists’ Grant
1991 National Endowment for the Arts, Artist’s Fellowship
Grant
1989 New York State Foundation for the Arts, Artist’s
Fellowship Grant
PUBLICATIONS
Catalogue Raisonne: Judith Rothschild Collection of Contemporary Drawing,
Illustration and documentation of work in the collection, Museum of Modern Art, 2009
Sienese Shredder 3, Ten Adages and Eleven Prints, text and images
Edited by Brice Brown and Trevor Winkfield
Tamarind Techniques for Fine Art Lithography, 2008, Illustration of
‘maniere noir’, Harry N. Abrams, NY
Tampa Review 18, Spring-Summer 1999
Bestiary, a bound book containing 36 prints by 18 artists with
text by Brad Morrow, edition of 100, 1990
o-bleck, portfolio of drawings, Volume 5, Spring, 1989
Paris Review, Volume 107, Summer, 1988
Conjunctions, Volume 8, Autumn, 1985
A Beehive Arranged on Humane Principles, text by Gilbert
Sorrentino, published by the Grenfell Press
BIBLIOGRAPHY
Mattick, Paul David Storey at the Cue Foundation, review,
Art In America, November, 2004
Gelber, Eric, DAVID STOREY, artcritical.com, February, 2004
Tamarind: 40 Years, edited by Marjorie Devon, University of New
Mexico Press 2000
Review, Art On Paper, March-April 2000
Review: 20 Years of the Grenfell Press, New York Times, July 30,
1999
Milani, Joanne, The Tampa Tribune: BayLife, November 16, 1998
Tallman, Susan, Contemporary Prints, Pre-Pop to Post Modern,
Thames & Hudson 1996
Stavitsky, Gail, Maurice Sanchez: Collaborations, Montclair Art
Museum, Montclair, NJ
Liebmann, Lisa, ArtForum, October 1991
Cyphers, Peggy, Arts Magazine, September 1991
Tallman, Susan, Many Monotypes. Art Magazine, January 1991
Baker, Kenneth, Review, San Francisco Chronicle, November 16, 1989
Valjakka, Timo, Review. Helsingen Sanomat, August 25, 1989
Baker, Kenneth, Review. San Francisco Chronicle, November 16,
1989 Perl, Jed, From September to December,The New Criterion,
February 1988
Cohrs, Timothy. Review Artnews, January 1988
Liebmann, Lisa. MBA Abstractionism Flash Art, February-March
1987
Saltz, Jerry. Beyond Boundaries, with essays by Peter Halley and
Roberta Smith, New York: Alfred van der Marck Editions, 1986
Review The Print Collector's Newsletter, March-April 1986
Westfall, Stephen Review Art in America, April 1986
Review The Print Collector's Newsletter, May-June 1985
Lurie, David Review, Arts Magazine, December 1985
Howe, Katherine Surrealism Returns, Images and Issues, March-April
1984
Adams, Brooks Review, Art in America, October 1983
Rebora, Carre David Storey, John Obuck, New Art Examiner, June
1980
Artner, Alan Review, Chicago Tribune, October 10, 1980
Artner, Alan Review, Chicago Tribune, October 24, 1979
Bloomfield, Arthur Refreshments on the Art Gallery Tour, San
Francisco Examiner, July 12, 1978
Tiremann, Robert Three Artists Show at San Antonio Gallery, San
Antonio Express, January 27, 1977
McIntyre, Mary Review, The Austin American Statesman, May 30,
1976
King, Marcia Review San Antonio Express, December 16, 1976