Front Gallery

Fran Siegel: Superimposition

September 5 through October 14, 2018
Opening reception: September 5, 2018, 6–8pm

Fran Siegel: Superimposition (installation view). Image #1120
Fran Siegel: Superimposition (installation view). Image #1119
Fran Siegel, "Suspension Rig”, 2018 pigment, crayon and cyanotype on cotton s.... Image #1046
Fran Siegel, "Suspension Rig”, 2018, detail. Image #1045
Fran Siegel, "Sift", 2017, paper mache, collage drawing, pigment on paper and.... Image #1088
Fran Siegel, "Mound", 2018, Quilted and sewn cyanotype patches on cotton scri.... Image #1114
Fran Siegel: Superimposition (installation view 2). Image #1092
Fran Siegel, "18 Days: Meeting Sky/Sea/Earth 01”, 2018, Gauche, Watercolor, p.... Image #1110
Fran Siegel, "18 Days: Meeting Sky/Sea/Earth 02”, 2018, Gauche, Watercolor, p.... Image #1111
Fran Siegel, "18 Days: Meeting Sky/Sea/Earth 03”, 2018, Gauche, Watercolor, p.... Image #1112
Fran Siegel, "18 Days: Meeting Sky/Sea/Earth 04”, 2018, Gauche, Watercolor, p.... Image #1113
Fran Siegel: Superimposition (installation view). Image #1115
Fran Siegel: Superimposition (installation view). Image #1116
Fran Siegel, "Elevation Rig”, 2018 Pigment, pencil, crayon, cyanotype, image .... Image #1043
Fran Siegel, "Continuum 14- Coil", 2018, paper mache from image transfer on p.... Image #1054
Fran Siegel: Superimposition (installation view). Image #1117
Fran Siegel, "Wind Rig”, 2017, pigment, crayon, cyanotype, cotton scrim (3 de.... Image #1048
Fran Siegel, "Wind Rig”, 2017, pigment, crayon, cyanotype, cotton scrim (3 de.... Image #1049
Fran Siegel, Porcelain Leaves, hand-built porcelain leaves mounted on wall, v.... Image #1098
Fran Siegel, "Porcelain Leaf 01", 2017, hand-built porcelain, brass wall moun.... Image #1099
Fran Siegel, "Porcelain Leaf 02", 2017, hand-built porcelain, brass wall moun.... Image #1100
Fran Siegel, "Porcelain Leaf 03", 2017, hand-built porcelain, brass wall moun.... Image #1101
Fran Siegel, "Porcelain Leaf 04", 2017, hand-built porcelain, brass wall moun.... Image #1102
Fran Siegel, "Porcelain Leaf 05", 2017, hand-built porcelain, brass wall moun.... Image #1103
Fran Siegel, "Porcelain Leaf 06", 2017, hand-built porcelain, brass wall moun.... Image #1104
Fran Siegel, "Porcelain Leaf 01", 2017, hand-built porcelain, brass wall moun.... Image #1105
Fran Siegel: Superimposition (installation view 3). Image #1093
Fran Siegel, "Continuum 13- Port Au Prince", 2018, woven collage paper mache,.... Image #1056
Fran Siegel, "Continuum 16- Gather", 2018, woven drawing on drafting film and.... Image #1082
Fran Siegel, “Dip Net”, 2018, paper mache, drawing, steel wire, cyanotype, wo.... Image #1050
Fran Siegel, "Continuum 11- Sister", 2018, woven cyanotype and drawing on dra.... Image #1057
Fran Siegel, "Continuum 10- Para", 2018, 
painted string, paper mache, drawin.... Image #1080
Fran Siegel, "Reform", 2017, cut and folded collage drawing, pigment on paper.... Image #1087
Fran Siegel, "Continuum 15- Streams and Rivers", 2018, woven image transfer, .... Image #1055
Fran Siegel, "Continuum 17- Deposit", 2018, woven drawing on drafting film, s.... Image #1083
Fran Siegel, "Grift", 2017, scrim, string, sewn and painted canvas, fabric, p.... Image #1084
Fran Siegel, "Splay", 2017, paper mache, cut and folded collage drawing, pigm.... Image #1089
Fran Siegel: Superimposition (installation view). Image #1121

Fran Siegel: Superimposition
September 5 – October 14, 2018

Opening Reception: Wednesday, September 5, 6–8pm
Artist Talk: Sunday September 30, 2:30pm

Lesley Heller Gallery proudly presents Superimposition, Fran Siegel’s third solo exhibition with the gallery.

Superimposition focuses on an interplay between two diverse maritime sites. Chronicling the massive new bridge construction at the largest US commercial shipping port near her Los Angeles studio, Siegel pairs this imagery with that culled from the ancient burial mounds on the Gulf Coast’s Manasota Key—which she discovered and researched during a Hermitage Fellowship there in 2016.

The works in Superimposition build a dialog of intricate and intertwined structures laden with cultural, ceremonial and industrial significance. Suspended like elaborate embroidered tapestries, the Rig series is a layered patchwork of information. Cyanotype sun exposures reveal ghostly under-structures of indigenous plant-life, overlaid with drawings of sprawling urban construction. The rig itself represents a temporary industrial structure imposed on a resistant native land. A relationship of exchange emerges between image sources, cultural histories and viewpoints. Protrusions extend outward from the wall as the drawing splays onto chairs, tails, and strings. These material permutations are further confronted in a series of woven paper-maché wall reliefs in impermanent states between construction and deconstruction, solid and void.
 

Fran Siegel (b. New York City) is known for her sprawling collaged and spatial constructions which are deeply rooted in an investigation of place through the activity of drawing. Siegel’s monumental works have recently been acquired by LACMA, the LA Museum of Contemporary Art, and the Yale University Art Gallery.

last year her solo drawing project was presented at The UCLA Fowler Museum in coordination with the Getty city-wide initiative PST- LA/LA—which included a Fulbright award to Brazil. Siegel represented the United States in the IX International Biennial of Cuenca, Ecuador and was commissioned for a permanent work at the US consulate in Guayaquil, Ecuador. She is currently developing permanent artwork for the LA Metro.  Siegel will be included in Here at the Los Angeles Municipal Art Gallery in 2019. Siegel was included in Slash at the Museum of Art and Design and Extravagant Drawing at Dorsky Curatorial Projects. Exhibitions in Los Angeles include at ACME, LA Louver, and Roberts and Tilton. Siegel’s 2013/14 solo drawing project Translocation and Overlay at The Art, Design and Architecture Museum at UC Santa Barbara was a study of environmental and population shifts, and the subject of a feature article in X-TRA Contemporary Art Quarterly. Notable press includes an artist profile in The Los Angeles Times, and reviews in Art in America, ArtCritical, ARTnews, Artillery, Art and Cake, Asian Art News, The Brooklyn Rail, The New York Times, The Boston Globe, Art New England, ArtWeek, LA Weekly, Arts, and Sculpture Magazine.

Siegel is the recipient of a California Community Foundation Mid-career Artist Grant, the City of Los Angeles Individual Artist Fellowship, and the OC Contemporary Collectors Grant. She earned her M.F.A. from Yale University School of Art, and B.F.A. from Tyler School of Art. She is currently a professor in the School of Art at California State University, Long Beach.