Catherine Howe

Catherine Howe

 

Solo Exhibitions:

 

2010- “Proserpina”, Lesley Heller Workspace, New York, NY

2007 - "revivify", Claire Oliver Gallery, New York, NY

- “Live Animals”, Philip Slein Gallery, St. Louis, MO

2003 - Littlejohn Contemporary, New York, NY

2002 - Littlejohn Contemporary, New York, NY

- Galeria Raygun, Valencia, Spain

2001 - Littlejohn Contemporary, New York, NY

2000 - Bucknell University, Lewisburg, PA; curated by Stuart Horodner.

1999 - Atlantic University, FL

1998 - Bill Maynes Gallery, New York, NY

1997 - Galeria Raygun, Valencia, Spain

1996 - Galerie Thomas von Lintel, Munich

1995 - Casey M. Kaplan Gallery, New York, NY

1994 - Galerie Thomas von Lintel, Munich

- Kim Light Gallery, Los Angeles, CA

- Galerie Johan Jonker, Amsterdam

1993 - Elizabeth Koury Gallery, New York, NY

- Stephanie Theodore Gallery, New York, NY

1992 - Stephanie Theodore Gallery, New York, NY

1990 - PS 1 Museum, Long Island City, NY

1988 - White Columns, New York, NY

 

Group Exhibitions:

 

2007 - Los Angeles Art Show, represented by Claire Oliver Gallery, Santa Monica, CA

2006 - "JoAnne Carson and Catherine Howe: Whimsical and Monstrous" Claire Oliver, New York, NY

- “What I Did On My Summer Vacation”, Claire Oliver, New York, NY

- Yukiko Kawase Gallery (April), Paris, France

2005 - "Visitors from the East", Billy Shire Gallery, Los Angeles, CA

- "Idols of Perversity", Bellwether Gallery, New York, NY

- “Animal Tales”,DFN Gallery, New York, NY

2004 - "Drawn to the Present", Curated by Jane Dickson, Pace University Gallery

2003 - "The Burbs", DFN Gallery, New York, NY

2002 - "Seven Artists", Littlejohn Contemporary, New York, NY

2001 - "Arsulananlar / Les Voluptes", curated by Elga Wimmer, Borusan Sanat Galerisi, Istanbul, Turkey

2000 - "Information, Interpretation, Revelation", Littlejohn Contemporary, New York, NY

- "precious…”, Center for Contemporary Art, Atlanta, Georgia

- "2000 Clowns", Curated by Bill Congor, Illinois State University Gallery

1999 - "Jeannette Christensen, Catherine Howe, Robin Kahn", Bill Maynes Gallery, New York, NY

- "Salome-Women in Contemporary art", Curated by Katherine Gass, The Castle Gallery, College of New

Rochelle, NY

- "Surfing the Surface", Curated by Kathleen Cullen, DFN Gallery, New York, NY,

- "Conversations at Four Walls, Catherine Howe in Conversation with David Humphrey", Four Walls,

Brooklyn, NY

1998 - "The Liars: Frightful Paint", Arti Et Amicitiae, Amersterdam

1997 - "Women's Work: Examining the Feminine in Contemporary Painting", Curated by: Jeff Fleming,

Southeastern Center for Contemporary Art, Winston-Salem, NC

- "Fracturing the Gaze", Lawing Gallery, Houston, TX

- "What's next on Canvas", Elga Wimmer Gallery, New York, NY

1996 - "Portraits", Graham Modern Gallery, New York, NY

- ARCO, Ferio, International, Madrid, Spain

1995 - Elga Wimmer Gallery, New York, NY

- "Terrestial Bodies", Curated Christopher Sweet, Zolla Gallery, Pennsylvania State University, PA

- "Under Construction: Rethinking Images of Identity", Curated by Sue Spaid and Michael Anderson, Armory

Center for The Arts, Pasadena, CA

1994 - Curt Marcus Gallery, New York, NY

- "Re: Visioning the Familiar", Curated by Klaus Ottmann, Wesleyan University Art Center, Middletown, CT

- "Pain - Ting", Bard College, Annandale-on-Hudson, NY

- Museum Helmond, Netherlands, NY/NL

1993 - "The 43rd Biennial of American Painting", Curated by Terrie Sultan, The Corcoran Gallery of Art,

Washington, DC

- "Irony & Ecstasy", Salama Caro Gallery, London

- "Image Abstraction", Amy Lipton Gallery, New York, NY

1992 - "The Anti-Masculine", Curated by Bill Arning, Kim Light Gallery, Los Angeles, CA

- "Boy Meets Girl", Horodner Romley Gallery, New York, NY;

- "House of Value", Muranushi Lederman Gallery, Temporary Space, NY

1990 - "Conflict of Image", The SOHO Center, New York, NY

- Althea Viafora Gallery, New York, NY

- "The Wayward Muse", The Albright-Knox Art Gallery, Buffalo, NY

- "Romantic Distance", Curated by Bill Arning, Jeffrey Neale Gallery, NY

- New Langston Arts, San Francisco, CA

1986 - Hallwalls, Buffalo, NY

 

Bibliography:

 

2008 - Art In America, Edward Leffingwell, January

2007 - Chelsea Now, “To Ab and Ab Not”, Jeffrey Cyphers Wright, Vol. 1, No.33, May 4-10

- St. Louis Post-DispatchBonetti, David, “Slein show features figurative paintings of two artists”, David Slein,

January 18

2005 - The New York Sun, "Idols of Perversity ", David Cohen, Bellwether, July 7

- The New York Times, "Animal Tales”, Ken Johnson, July 15

- "Sweet Dreams: Contemporary Art and Complicity", Johanna Drucker, University of Chicago Press,

ill. pp. 34-36, 39,

2002 - The New Yorker, Talk of the Town, Anon., group show review, June 3

2001 - "Chosen Flesh", Catalog, Horodner, Stuart, April

- Humphrey, David, Catalog, May

- NY Arts Internatonal Edition, Balthus RIPs, Anon., Vol.6, No.3, March

- CCA Atlanta, "Precious…", Catalog, Felicia Feaster

1999 - Artforum, Barry Schwabsky, p.144, November

- NY Arts, "David Humphrey in Conversation with Catherine Howe, Mob Rule", February

- "Salome - Images of Women in Contemporary Art", Catalog, Katherine Gass, February

1997 - Art in America, "Picturehood is Powerful", article on Currin, Howe & Yuskavage, Barry Schwabsky,

December, p. 80-85 color ill. pp.81,85

- "The Liars", Catalog, Aldert Mantje

- The New Art Examiner, "New York Reviews", Michael Muster, September

- The Village Voice, "Voice Choices", Kim Levin, June 4

- Bill Maynes Gallery, Catalog, Bill Arning, June

- Winston-Salem Journal, "Women's Work...”, Tom Patterson, Sept. 7

- South East Center For Contemporary Art, Catalog, "Women's Work…", Jeff Fleming, July

- Houston Public News, “Female Ascendant; review of "Fracturing the Gaze" ,Catherine D. Anspon, May

21

- Art in America, "Corot Refigured", Barry Schwabsky, p.79, January

1996 - Artforum, review of solo show, Barry Schwabsky, p.84 February

1995 - The New York Times, Pepe Karmel, Dec. 15

- "The Feminist Continuum: Art After 1970, The Power of Feminist Art", Laura Cottingham, Harry N. Abrams

- "Under Construction", Catalog, Sue Spaid, and Michael Anderson ,

1994 - "Re: Visioning the Familiar", Catalog, Klaus Ottmann, color ill.

- Art in America, "A Year in the Life of Painting", Jerry Saltz, October

- Los Angeles Times, David Pagel, March 10

- Tema Celeste, New York in Review, Barry Schwabsky, color ill. p. 62., Spring

- Art in America, review of Corcoran Biennial, Robert G. Edelman, color ill. p.39, April

- Artforum, review of Corcoran Biennial, Howard Rissati,p.62f, March

- Art & Antiques, "Desire for Identity", Angela Choon, color ill., March

- Art Magazine, Germany, Eva Karcher, color ill.,p.18, January

- Interview with Catherine Howe, KK Kozik, b&w ill., p.14, February

1993 - Flash Art, review of solo exhibition, Abigail R. Esman, b&w ill., p.90, October

- Lear's, "Bodies Galore", Alison Demos, October

- "The 43rd Biennial of American Art", Corcoran Gallery Catalog, Terrie Sultan, Klaus Ottmann, color ill.

- Cultureel Supplement, Amsterdam, Wilma Suto, June 11

- Cultureel Supplement, Amsterdam, Bianca Stigter, June 11

- Time Out, London, "Irony & Ecstasy", Sarah Kent, May 5

- "Painting Yourself Back into The Picture", Catalog, Jerry Saltz, Galerie Johan Jonker, Amsterdam,

June, color ill.

- "Irony & Ecstasy", Catalog, Klaus Ottmann, London, April

- BOMB, Artist's Page, Spring

1992 - The New York Times, "The New Appropriationists…", Roberta Smith, August 16

1991 - The New York Times,"New Galleries in SOHO…", Roberta Smith, November 15

- New York Arts,Robert Mahoney, color ill., p. 100, May

1990 - Arts, "Losses in Translation", John Zinsser, November